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Majestic Theatre (San Antonio) : ウィキペディア英語版
Majestic Theatre (San Antonio)

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The Majestic Theatre is San Antonio's oldest and largest atmospheric theatre. The theatre seats 2,311 people and was designed by architect John Eberson, for Karl Hoblitzelle's Interstate Theatres in 1929.
In 1975, the theatre was listed on the National Register of Historical Places and was designated a National Historic Landmark in 1993. The theatre was home to the San Antonio Symphony from 1989 to 2014. For many years, it remained the largest theatre in Texas and the second largest movie theatre in the United States. It was also the first theatre in the state to be totally air-conditioned.
==History==
The land on which the office building-theatre complex now stands was leased to Karl Hoblitzelle from J. M. Nix, who had purchased it in 1920 from the Enterprise Company of Dallas. The land came with the curious deed restriction that, until April 5, 1928, "'neither aforesaid land nor any building or improvement or any part thereon shall be used or occupied for theatrical, motion picture, or amusement purposes at any time...'"〔Preddy, Jane. "The Greater Majestic Theatre." ''Marquee: Journal of the Theatre Historical Society of America'' 20 (1988): 5.〕
Sufficiently exceeding the listed time restriction, the theatre's opening on June 14, 1929, in many ways symbolized a progressiveness with which San Antonio wished to identify. The city actually deemed the month of the opening "Prosperity Month," celebrating the recent era of development Texas was experiencing. In size, the Greater Majestic was second in the nation only to Atlanta, Georgia's Fox Theatre, and it was the first theatre in Texas to be fully air-conditioned, something that alone was a major attraction in the 1920s South. Advertisements heralding "'an acre of cool, comfortable seats'" were "further emphasized by the snow which topped the letters of the theatre's name,"〔Preddy, Jane. "The Greater Majestic Theatre." ''Marquee: Journal of the Theatre Historical Society of America'' 20 (1988): 5-7.〕 prompting society women to wear fur coats to the June opening.〔"Majestic Theatre". ''Frommer's'' 2010-2-15.〕 The 4,000-seat theatre was filled to capacity for opening day entertainment, which consisted of the musical film, ''Follies of 1929'' and live performances by Mexican Troubador Don Galvan, "The Banjo Boy," the "Seven Nelsons" acrobatic troupe, Eddie Sauer and his "Syncopaters," and the Father of Country Music, Jimmie Rodgers, who himself received 18 curtain calls.〔Preddy, Jane. "The Greater Majestic Theatre." ''Marquee: Journal of the Theatre Historical Society of America'' 20 (1988): 7.〕 Each week, the program offered included a new film and a new lineup of star performers. In 1930, the Great Depression caused the Majestic to close for several weeks, until it was able to reopen "because Americans were turning to movies for escape." The Majestic provided that escape with a schedule of films and live entertainment through the 1940s and 50s.〔Pinkard, Tommie. "The Stars Shine Again at the Majestic". ''Texas Highways'' January 1983: 22.〕
Theatre features included a huge cast-iron canopy covering the sidewalk, a vertical sign 76-feet tall topped with "a strutting peacock ... walking as a huge ball rotated under his feet," and a cave-like single-story lobby that included copper lanterns, ceiling murals, and an aquarium filled with tropical fish.〔Preddy, Jane. "The Greater Majestic Theatre." ''Marquee: Journal of the Theatre Historical Society of America'' 20 (1988): 9-10.〕 Inside the theatre's auditorium were stuffed birds perched on balconies or frozen mid-flight via ceiling wire, replicas of well-known Greek, Roman, and Renaissance sculptures, and specially treated cypress trees brought from Spain and placed on upper-level niches. The Baroque tendency to decorate with mask-like faces is exemplified by carvings alongside the stage and under the mezzanine balcony, and in direct translation of atmospheric theater design, the Majestic's blue ceiling "cloud scape" disguises the interior dome as an evening sky in conjunction with a cloud projector and small bulbs simulating stars. The bulbs are actually positioned according to consultations with experts at the National Geographic Society, who instructed the designer as to the positioning of the real stars on the night of the theater's opening.

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